Bibliography: p. 171-184.

Discography: p. 185-188.

More relevance than spotlight and applause: Billy Bragg in the British folk tradition / Kieran Cashell -- "Know your rights": punk rock, globalization and human rights / Kevin C. Dunn -- Unlocking the silence: Tori Amos, sexual violence, and affect / Deborah Finding -- Pantomime paranoia in London, or, "Lookout, he's behind you!" / John Hutnyk -- The blues, trauma, and public memory: Willie King and the Liberators / Stephen A. King -- The aesthetic dimension: cultural politics, human rights, and Hedwig / Stefan Mattessich -- The evolution of the political benefit rock album / Neil Nehring -- Which music for which catastrophe? The functions of popular music twenty-first century benefit concerts / Sam O'Connell -- From midnight music to civil rights, from bluesology to human rights: Gil Scott Heron, American griot / Ian Peddie -- Plight of the redman: XIT, Red Power, and the refashioning of American Indian ethnicity / Christopher A. Scales -- "The country we carry in our hearts is waiting": Bruce Springsteen, Franklin Delano Roosevelt, and the search for human rights in America / David Thurmaier -- The vision of possibility: popular music, women, and human rights / Sheila Whiteley.