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Taking part in music : case studies in ethnomusicology / edited by Ian Russell and Catherine Ingram.

By: Contributor(s): Material type: TextTextSeries: Publication details: Aberdeen : Aberdeen University Press, in association with the European Seminar in Ethnomusicology, 2013Description: 351 p. : ill., music ; 25 cmISBN:
  • 9781857520019
Subject(s):
Contents:
Introduction / Ian Russell and Catherine Ingham -- Taking a part: song sequences and sound sentiments / Anthony Seeger -- Sharing music in cross-cultural collaborations: participation, interaction, and innovation / Griselda Sanderson -- Understanding musical participation: 'listening' participants and big song singers in Kam villages, southwestern China / Catherine Ingham -- Metaphors, mood, medium, and modelling: indigenous music workshops and citizenship / Beverley Diamond -- On being a collective: the politics of participation in an Austrian alternative wind band / Malik sharif -- Negotiating participation at an English folk singing session / Fay Hield -- Preserving the village: social versus musical criteria for successful participation in a Japanese festival / Kirk King -- The impact of human relations on Japanese koto music performance: negotiation of rank in the spotlight / Liv Lande -- Together in sang: the embodied 'ballad experience' as singularly plural / Mairi McFadyen -- 'The music spirits come to everybody while we play together': performing Mohori music in Washington DC / Joanna Pecore -- Strengthening identity through community singing: praise nights in North-East Scotland's Deep Sea Missions / Frances Wilkins -- foreigners in the session: an examination of participation and authenticity at the Costello's Irish music session / Pamela Cotter -- Musicking, participating, and identifying selves through musical communities of practice: a cosmopolitan band in Greece / Evanthia Patsiaoura -- Follow the band: the role and function of community brass bands in the Scottish Borders common ridings / Gillian French -- Three types of engagement with place through acousmatic listening and composition / Suk-Jun Kim, Pete Stollery, Ross Whyte -- Introduction: the conditions of music-making: between cultural policy, economics, and aesthetics / Alf Arvidsson, Susanne Holst, Dan Lundberg, Marika Nordström, Ingrid Åkesson -- Describing your music to the Arts Council: interacting with a grant system / Dan Lundberg -- Folk and world music festivals as interactive and participatory performance / Susanne Holst -- Authenticity, musicians, and journalism in the field of popular music: an analysis of interviews with musicians published in the music magazine Sonic / Marika Nordström -- Some characteristics of contemporary art music composition in Sweden / Alf Arvidsson -- Participatory and multi-directional music-making: small-scale singing events as creators of a counter-aesthetic? / Ingrid Åkesson
Holdings
Item type Home library Collection Class number Materials specified Status Notes Date due Barcode
Books Books VWML Gift MG 15 (Browse shelf(Opens below)) Reference only Gift from Ian Russell. 18669

Includes bibliographical references (pages 319-338) and index.

Introduction / Ian Russell and Catherine Ingham -- Taking a part: song sequences and sound sentiments / Anthony Seeger -- Sharing music in cross-cultural collaborations: participation, interaction, and innovation / Griselda Sanderson -- Understanding musical participation: 'listening' participants and big song singers in Kam villages, southwestern China / Catherine Ingham -- Metaphors, mood, medium, and modelling: indigenous music workshops and citizenship / Beverley Diamond -- On being a collective: the politics of participation in an Austrian alternative wind band / Malik sharif -- Negotiating participation at an English folk singing session / Fay Hield -- Preserving the village: social versus musical criteria for successful participation in a Japanese festival / Kirk King -- The impact of human relations on Japanese koto music performance: negotiation of rank in the spotlight / Liv Lande -- Together in sang: the embodied 'ballad experience' as singularly plural / Mairi McFadyen -- 'The music spirits come to everybody while we play together': performing Mohori music in Washington DC / Joanna Pecore -- Strengthening identity through community singing: praise nights in North-East Scotland's Deep Sea Missions / Frances Wilkins -- foreigners in the session: an examination of participation and authenticity at the Costello's Irish music session / Pamela Cotter -- Musicking, participating, and identifying selves through musical communities of practice: a cosmopolitan band in Greece / Evanthia Patsiaoura -- Follow the band: the role and function of community brass bands in the Scottish Borders common ridings / Gillian French -- Three types of engagement with place through acousmatic listening and composition / Suk-Jun Kim, Pete Stollery, Ross Whyte -- Introduction: the conditions of music-making: between cultural policy, economics, and aesthetics / Alf Arvidsson, Susanne Holst, Dan Lundberg, Marika Nordström, Ingrid Åkesson -- Describing your music to the Arts Council: interacting with a grant system / Dan Lundberg -- Folk and world music festivals as interactive and participatory performance / Susanne Holst -- Authenticity, musicians, and journalism in the field of popular music: an analysis of interviews with musicians published in the music magazine Sonic / Marika Nordström -- Some characteristics of contemporary art music composition in Sweden / Alf Arvidsson -- Participatory and multi-directional music-making: small-scale singing events as creators of a counter-aesthetic? / Ingrid Åkesson

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