MARC details
| 000 -LEADER |
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| fixed length control field |
03620cam a2200301 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
201407111704.nw |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
UkLoVW |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20140718110932.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
140121s2013 stkag b 101 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781857520019 |
| 038 ## - RECORD CONTENT LICENSOR |
|---|
| Record content licensor |
UkLCURL |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
StEdU |
| Description conventions |
rda |
| Transcribing agency |
StEdU |
| Modifying agency |
UkOxU |
| -- |
UkLoVW |
| 099 ## - LOCAL FREE-TEXT CALL NUMBER (OCLC) |
|---|
| Classification number |
MG 15 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| 9 (RLIN) |
1448 |
| Personal name |
Russell, Ian |
| 245 00 - TITLE STATEMENT |
|---|
| Title |
Taking part in music : |
| Remainder of title |
case studies in ethnomusicology / |
| Statement of responsibility, etc. |
edited by Ian Russell and Catherine Ingram. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc. |
Aberdeen : |
| Name of publisher, distributor, etc. |
Aberdeen University Press, in association with the European Seminar in Ethnomusicology, |
| Date of publication, distribution, etc. |
2013 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
351 p. : |
| Other physical details |
ill., music ; |
| Dimensions |
25 cm. |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Occasional publications / The Elphinstone Institute ; |
| Volume/sequential designation |
9 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages 319-338) and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction / Ian Russell and Catherine Ingham -- Taking a part: song sequences and sound sentiments / Anthony Seeger -- Sharing music in cross-cultural collaborations: participation, interaction, and innovation / Griselda Sanderson -- Understanding musical participation: 'listening' participants and big song singers in Kam villages, southwestern China / Catherine Ingham -- Metaphors, mood, medium, and modelling: indigenous music workshops and citizenship / Beverley Diamond -- On being a collective: the politics of participation in an Austrian alternative wind band / Malik sharif -- Negotiating participation at an English folk singing session / Fay Hield -- Preserving the village: social versus musical criteria for successful participation in a Japanese festival / Kirk King -- The impact of human relations on Japanese koto music performance: negotiation of rank in the spotlight / Liv Lande -- Together in sang: the embodied 'ballad experience' as singularly plural / Mairi McFadyen -- 'The music spirits come to everybody while we play together': performing Mohori music in Washington DC / Joanna Pecore -- Strengthening identity through community singing: praise nights in North-East Scotland's Deep Sea Missions / Frances Wilkins -- foreigners in the session: an examination of participation and authenticity at the Costello's Irish music session / Pamela Cotter -- Musicking, participating, and identifying selves through musical communities of practice: a cosmopolitan band in Greece / Evanthia Patsiaoura -- Follow the band: the role and function of community brass bands in the Scottish Borders common ridings / Gillian French -- Three types of engagement with place through acousmatic listening and composition / Suk-Jun Kim, Pete Stollery, Ross Whyte -- Introduction: the conditions of music-making: between cultural policy, economics, and aesthetics / Alf Arvidsson, Susanne Holst, Dan Lundberg, Marika Nordström, Ingrid Åkesson -- Describing your music to the Arts Council: interacting with a grant system / Dan Lundberg -- Folk and world music festivals as interactive and participatory performance / Susanne Holst -- Authenticity, musicians, and journalism in the field of popular music: an analysis of interviews with musicians published in the music magazine Sonic / Marika Nordström -- Some characteristics of contemporary art music composition in Sweden / Alf Arvidsson -- Participatory and multi-directional music-making: small-scale singing events as creators of a counter-aesthetic? / Ingrid Åkesson |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Ethnomusicology |
| 9 (RLIN) |
178 |
|
|---|
| Topical term or geographic name as entry element |
Performance |
| 9 (RLIN) |
11191 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Ingram, Catherine |
| 9 (RLIN) |
13132 |
| 710 ## - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Elphinstone Institute |
| 9 (RLIN) |
1695 |
| 711 1# - ADDED ENTRY--MEETING NAME |
|---|
| Meeting name or jurisdiction name as entry element |
European Seminar in Ethnomusicology |
| 9 (RLIN) |
13133 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Local classification scheme |
| Koha item type |
Books |
| Classification part |
MG 15 |
| Suppress in OPAC |
0 |